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500 poses for photographing group portraits. 1. Amherst Media® publisher of photography books 500 Poses for Photographing Group Portraits A Visual Sourcebook for Digital Portrait Photographers Michelle Perkins. My deepest thanks to the photographers whose work appears in this book. Their powerful images are truly inspir-ing— as is their commitment to educating other professionals.
If you have a chance to learn from them, whether at a workshop or through their writing, take it; you won’t be disappointed. And, as always, love and gratitude to my talented husband—a constant source of love and inspiration. Copyright © 2013 by Michelle Perkins. All rights reserved.
Front cover photographs by Christie Mumm (large photo) and Brett Florens (inset photos). Back cover photograph by Brett Florens. Published by: Amherst Media, Inc. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A.
Lynch-Johnt Editorial Assistance from: Sally Jarzab, Carey Anne Miller Business Manager: Adam Richards Marketing, Sales, and Promotion Manager: Kate Neaverth Warehouse and Fulfillment Manager: Roger Singo ISBN-13: 978-1-60895-552-7 Library of Congress Control Number: Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher. Notice of Disclaimer: The information contained in this book is based on the author’s experience and opinions.
The author and publisher will not be held liable for the use or misuse of the information in this book. Check out Amherst Media’s blogs at:. Designing outstanding portraits of a single subject can be a challenge, but the complications are compound-ed with each subject that is added to the frame. Not only must each subject look good individually, but the group must also look good collectively. Additionally, the relation-ships between the subjects often need to be established through the posing and composition of the image. This collection is designed as a springboard for facing the many challenges of posing groups. Filled with images by accomplished professionals, it provides a resource for pho-tographers seeking inspiration for their own work.
Stuck on what to do with a particular group or unsure how to use a given location? Flip through the sample portraits, pick something you like, then adapt it as needed to suit your tastes. Looking to freshen up your work with some new poses? Find a sample that appeals to you and look for ways to implement it (or some element of it) with your subjects. For ease of use, the portraits are grouped according to the number of subjects shown in the frame.
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Thus, the book begins with groups of two, then moves on to larger and larger groups—all the way up to images with more than twenty-five subjects. (Note: Groups of two, probably the most common portrait grouping, are more extensively cov-ered in another volume in this series: 500 Poses for Photo-graphing Couples). About This Book It can be difficult to remain creative day after day, year after year, but sometimes all you need to break through a slump is a little spark. In this book, you’ll find a plethora of images designed to provide just that. Contents Groups of Two. Plates 1–44 Groups of Three.