2020. 3. 1. 15:58ㆍ카테고리 없음
Combining the hyperkinetic breakbeats and chilly electronic textures of drum'n'bass with actual song structures and interesting lyrics isn't a new idea anymore - bands like, and have done the same thing, and used drum'n'bass as an escape route from their downward spiral into wispy jazz-pop hell. But (singer, and drum'n'bass godfather ) differs from all of these in that this group comes to rock from drum'n'bass, not the other way around. They also have little time for 's jazz trumpet, ' gauzy pop songs and 's melodic hooks. Is not a tuneless singer, by any means, but her approach is more punk than pop, and the instrumental accompaniment is straight out of the 'darkcore' subgenre of drum'n'bass, a style typified by minor chords and creepy, robotic basslines. Song titles like 'Rancid,' 'Our Disease,' and 'Anti-Everything' - all of which sound like they were nicked from first-wave punk albums - give you an idea of what to expect.
Breakbeat Era Ultra Obscene Rar Free
Highlights: 'Bullitproof' and the brief but super funky 'Max.'
Breakbeat Music
Breakbeat Era - Ultra-Obscene (XL Recordings, 1999)Breakbeat Era were the trio of Roni Size, DJ Die and singer Leonie Laws. Size and Die were introduced to Laws by a mutual friend on the Bristol free party scene and they first recorded together in 1996 on a Scorpio track entitled that was included on the compilation. The success of that track led to interest from record labels and the group signed to XL Recordings who released the LP in 1999. Although the album incorporates rock and pop elements Roni Size and DJ Die don't water down their sound for the mainstream and most of the record isn't too far removed from their Full Cycle output, while Laws brings a free spirited punk attitude to the project.The title cut was also the second single, following a remixed version of 'Breakbeat Era', and it opens with a fantastic stuttered cut-up of the 'Sing A Simple Song' break which is treated to some heavy flanging. A blast of flute brings in Laws' vocals which as the title suggests are sexual in nature: 'Meet me down by the river / Lay me down and pull the trigger'. The track came about by accident when Laws heard the bassline and hummed along to it, that 'huh huh huh' formed the basis of the lyrics and the whole thing was finished that afternoon and the following morning. The bassline and 'Sing A Simple Song' break are the backbone of the track and are accompanied by live vibraphone and guitar as well as strings and other sound effects.
Breakbeat Era Ultra Obscene Rar Cover
A catchy track that showed drum and bass could use the verse chorus verse song structure without losing its dancefloor edge.Download 'Ultra-Obscene' from where the whole album is available for just £4.99. Check the video below to see an interview with Leonie Laws along with a live performance of 'Rancid'.